For Photoshop versions earlier than Photoshop CC, some functionality discussed in this article may be available only if you have Photoshop Extended. Photoshop CC does not have a separate Extended offering. All features in Photoshop Extended are part of Photoshop CC.
After you've created video or animation content in Photoshop, you can easily optimize, render, and export it.
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You can save animations as GIF files for viewing on the web. Videos and animations can be saved as QuickTime movies or PSD files. If you’re not rendering your work to video, then saving the file as PSD is best because it preserves the edits and saves the file in a format that’s supported by Adobe digital video applications and many motion picture editing applications.
After you complete your animation, optimize it for efficient download to a web browser. You optimize an animation in two ways:
Optimize the frames to include only areas that change from frame to frame. This greatly reduces the file size of the animated GIF file.
If you are saving your animation as a GIF image, optimize it as you would any GIF image. A special dithering technique is applied to animations to ensure that dither patterns are consistent across all frames and to prevent flickering during playback. Due to these additional optimization functions, more time may be required to optimize an animated GIF than to optimize a standard GIF.
When optimizing the colors in an animation, use the Adaptive, Perceptual, or Selective palette. This ensures that the colors are consistent across frames.
Make sure that the Timeline panel is in the frame animation mode.
Crops each frame to the area that has changed from the preceding frame. Animation files created using this option are smaller but are incompatible with GIF editors that do not support the option. (This option is selected by default and is recommended.)
Makes all pixels transparent in a frame that are unchanged from the preceding frame. The Transparency option in the Optimize panel must be selected for redundant pixel removal to work. (This option is selected by default and is recommended.)
Set the frame disposal method to Automatic when using the Redundant Pixel Removal option. (See Choose a frame disposal method.)
When you flatten frames into layers,a single layer is created for each frame in a video layer. Thiscan be useful, for example, if you’re exporting the individual videoframes as separate image files, or if you’re planning to use thevideo of a static object in an image stack.
In the Timeline or Layers panel, select the video layer.
In the Timeline panel, choose Flatten Frames Into Layers from the panel menu.
- In the Render Video dialog box, enter a name for thevideo or image sequence.
- Click the Select Folder button, and navigate to the locationfor the exported files.
Tocreate a folder to contain your exported file, select the CreateNew Subfolder option and enter a name for the subfolder.
Choose either Adobe Media Encoder or Photoshop Image Sequence from the menu below the Location section of the Render Video dialog box. Then choose a file format from the pop-up menu. If you chose Adobe Media Encoder, you have the choice of CPS, H.264, and QuickTime formats.
(Optional) Specify format-specific options from the menus below the file format menu.
(Optional) If you chose Image Sequence in step 4, specify the Starting and Digits numbers. (These options specify the numbering system for the exported files.) Then do any of the following if necessary:
- Choose from the Size pop‑up menu to specify the pixel dimensions for the exported files.
- Click the Settings button and specify the format-specific options.
- Choose a frame rate from the Document Frame Rate menu.
Renders all the frames in the Photoshop document.
Specify the sequence of frames to render.
Renders the frames selected by the work area bar in the Timeline panel.
Specify the sequence of frames to render.
Renders the frames selected by the work area bar in the Animation panel.
The available Range options depend on the file format you chose.
Specifies how alpha channels are rendered. (This optionis available only with formats that support alpha channels, suchas PSD or TIFF). Select None to ignore the alpha channel, Straight-Unmattedto include the channel, or one of the Premultiplied options to mixa matte color with the color channels.
Controls how surfaces are rendered if your project includes 3D objects. Interactive is suitable for video games and similar uses. Ray Traced Draft is low quality but lets the video render qucikly. Ray Traced Final is high quality but the video takes a long time to render.
Determines how many frames are created for each second of the video or animation. The Document Frame Rate option reflects the rate in Photoshop. If you’re exporting to a different video standard (from NTSC to PAL, for example), choose the appropriate rate from the pop-up menu.
QuickTime export file formats (Photoshop Extended)
A file format developed for third-generation mobile devices.
An animation format for playback of computer-generated animationson workstations, Windows, and Mac OS. This format is alsoreferred to as FLI.
Adobe Flash Video is the Adobe format for streaming audio and video over the web and other networks. (To use this format, you must first install an FLV QuickTime encoder).
The Apple Computer multimedia architecture that includesa number of codecs. (To export audio, you must use this format.)
Audio Video Interleave (AVI) is a standard format for audioand video data on Windows computers.
A video format with intraframe compression that uses FireWire(IEEE 1394) interface to transfer video to nonlinear editing systems.
A sequence of still images that can reside within one folder and use the same numeric or alphabetic filename pattern (such as Sequence1, Sequence2, Sequence3, and so on).
A multimedia standard for delivering audio and video streamsover a range of bandwidths.
Photoshopalso supports other third-party formats such as Avid AVR codecs; however,the necessary QuickTime codecs must be installed. Acrorip 64 bit download.
In QuickTime terminology, the term key frames refersto something different than the animation keyframes in Photoshop.In QuickTime, key frames occur at regular intervals in the movieand are stored as complete frames. Each intermediate frame thatseparates them is compared to the previous frame, and only changed datais stored. Using key frames greatly reduces movie size and greatlyincreases the memory required to edit and render a movie. Shorterintervals between key frames enable faster seeking and reverse playback,but can significantly increase the size of the file.
For more information on 3G settings, search for 3G on the Apple Computer website.
3GPP and 3GPP2 are standards for the creation, delivery,and playback of multimedia over third-generation high-speed wirelessnetworks. 3GPP is for GSM networks and 3GPP2 is for CDMA 2000 networks.3GPP (Mobile MP4), 3GPP2 (EZmovie), and AMC (EZmovie) are for specificnetworks. 3GPP (Mobile MP4) is for NTT DoCoMo’s i‑motion 3G service.3GPP2 (EZmovie) is for KDDI’s 3G network service. AMC (EZmovie)is for KDDI subscribers with AMC-capable phones.
Specifies the intended delivery method if you choose H.264 fromthe Video Format menu, click Video Options, and select Best Quality.This setting tells the codec how much the data rate can vary aboveand below the data rate you choose.
Specifies a standard for sending the file to a mobile phone.Current maintains the source material size; the resulting file maynot play on a mobile phone. Choose Custom to specify a size notlisted in the menu.
Specifies an option when you’re changing the image size and the movie must be scaled to the new dimensions. Letterbox scales the source proportionally to fit into the clean aperture, adding black bars to the top and bottom or sides as necessary. Crop centers, scales, and trims to the clean aperture.
Specifies the frames per second (fps) during playback. In most cases, your video looks better if you choose a number that your source fps is exactly divisible by. For example, if your source is captured at 30 fps, choose a frame rate of 10 or 15. Don't choose a rate larger than that of your source material.
If available, click the Video Options button to open the3G Advanced Video Settings dialog box. Depending on the video, youcan specify whether to add re‑sync markers inside the video framesto help with packet loss recovery when streaming. With H.264 video,you can also speed up the compression process (for preview purposes,for example) by choosing Faster Encode (Single‑pass). The defaultoption, Best Quality (Multi‑pass), allows the codec to determinehow many passes are needed to compress the data for the best quality.
Specifies how many times the file can play back on the handsetonce downloaded. Also specifies file expiration options: set thefile to expire in a number of days or enter a date. If your fileis in Mobile MP4 or EZmovie format, you can restrict distributionso that once the file is on a handset it can't be sent or copiedelsewhere.
Enables the file to download via HTTP in small pieces sothat playback can start faster and so that larger files can be playedon the handset (only the fragment, not the entire movie, must fiton the handset at one time).
Specifies the number of individual images shown every second.NTSC is generally the standard video format and is 29.97 fps. PALis a European video format that is 25 fps. The standard for filmis 24 fps. QuickTime movies are sometimes created with a slowerframe rate to reduce bandwidth and CPU requirements.
Movieswith higher frame rates display motion better, but have larger filesizes. If you choose a frame rate that's lower than the movie'scurrent frame rate, frames are deleted. If you choose a number that'shigher than the movie's current frame rate, existing frames areduplicated (not recommended, since it increases file size withoutimproving quality). In most cases, your video will look better ifyou choose a number that your source fps is exactly divisible by.For example, if your source is captured at 30 fps, choose a framerate of 10 or 15. Don't choose a rate larger than that of your sourcematerial.
Specifies the key frame frequency. A higher key framerate (lower number) improves video quality, but increases the filesize. With some compressors, an additional key frame is insertedautomatically if too much of the image has changed from one frameto the next. In general, one key frame every 5 seconds (multiplythe frames per second by 5) is usually sufficient. If you are creatinga file for RTSP streaming and have concerns about the reliabilityof the delivery network, you may want to increase key frame frequencyto one key frame every 1 or 2 seconds.
If available, drag the slider or type a value to adjustthe exported video’s picture quality and, consequently, its filesize. If you are using the same codec to capture and export, andyou’ve rendered previews of a sequence, you can save rendering timeby matching the export quality setting with your original capture qualitysetting. Increasing quality above the original capture quality doesnot increase quality, but may result in longer rendering times.
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Specifies an option if the movie is scaled to new pixel dimensions. Letterbox scales the source proportionally to fit into the clean aperture, adding black bars to the top and bottom or sides as necessary. Crop centers, scales, and trims to the clean aperture.
Chooses the codec to compress your video. For the highest qualityat the lowest data rate (or the smallest file), H.264 is recommended.If you need the file to play on a device that supports MPEG‑4 video,choose MPEG‑4 Basic or MPEG‑4 Improved, depending on the targetdevice. If your source movie’s video track is already compressed,you can choose Pass Through so that the video doesn't get compressedagain.
Specifies how much the data rate can vary above and belowthe data rate you choose. This option becomes available if you chooseMP4 from the File Format menu, choose H.264 from the Video Formatmenu, click Video Options, and select Best Quality.
Specifies an option if the movie needs to be scaled tothe new pixel dimensions. Letterbox scales the source proportionallyto fit into the clean aperture, adding black bars to the top andbottom or sides as necessary. Crop centers, scales, and trims tothe clean aperture. Fit Within Size adjusts to the destination sizeby fitting to the longest side, scaling if necessary.
Specifies the frame rate for the playback of your exportedvideo. Usually, your video looks better if you choose a number thatis exactly divisible by the frames per second (fps) of your source.For example, if your source is captured at 30 fps, choose a framerate of 10 or 15. Don’t choose a rate greater than that of yoursource material.
- (Optional) If your movie is being delivered over theInternet, select Prepare For Internet Streaming and choose any ofthe following:
Specify the frame rate for your video by choosing the number of frames per second (fps). Some codecs support a specific set of frame rates. Increasing the frame rate may produce smoother motion (depending on the original frame rates of the source clips) but uses more disk space. If available, specify how often the key frames are generated. (See Understanding QuickTime key frames.)
Set compressor options specific to the selected codec. Click the Option button (if available) to specify further compressor options. If the Depth menu is available, choose the number of colors to include in exported video. (This menu is not available if the selected codec supports only one color depth.)
If the Quality slider is available under Compressor, drag the slider or type a value to adjust the exported video’s picture quality and, consequently, its file size. If you are using the same codec to capture and export, and you’ve rendered previews of a sequence, you can save rendering time by matching the export quality setting with your original capture quality setting. Increasing quality above the original capture quality does not increase quality, but may result in longer rendering times.
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Specifies an option if the movie is scaled to a new framesize. Letterbox scales the source proportionally to fit into theclean aperture, adding black bars to the top and bottom or sidesas necessary. Crop centers, scales, and trims to the clean aperture.Fit Within Dimensions adjusts to the destination size by fittingto the longest side, scaling if necessary.